How to answer questions in the exam and looking at other Photographers

Looking at the work of other Artists or Photographers

As part of both the AS & A Level courses you are expected to be looking at the work of other artists or photographers.  This can help to influence your own work and an understanding of why an artist creates a particular piece of work may help you to create your own.  In order to demonstrate to the examiner that you are engaging in the work of other artists you will need to produce evidence of this.  The easiest way to do this is to choose a painting or photograph which relates to your own work by a relatively well known artist and

using the prompts/questions below make an analytical response to your chosen artwork.  It is important that you realise that this cannot be superficial, you need to show a depth of understanding.  Print off one colour and one black/white copy of the image (min A5) on the b/w copy, draw lines to indicate the main compositional structure of the painting, photograph, image etc.

Original colour copy

B/W image with composition lines

Your Response
 What is your first reaction to the work?  Why does it make you feel/think like that?
What does it remind you of and why?
What can you connect the work to?
(e.g. Things seen on the silver screen, tv, youtube; places you have been to or things that have happened to you)

Content
What is the work?  How big is it?
What is it about?
Who is the artist?
When was it made?
Do you know of anything that would have influenced the work? 
(e.g. social/historical facts/influence of other artists.)
Does it contain any symbols you recognise?
Does its title influence how you see the work?

What can you see?
Colours-warm/cool?  Bright/muted? Predominant colour?
Tone-describe areas of light and shade/ areas of strong contrast.
Marks-what kind of marks does the artist use?
How has the artist created texture?
Are there any large shapes or forms?
Are there any imaginary lines joining different areas or creating the structural composition of the work?

My First Attempt of Portraits ~ Emily

I decided to start experimenting with portraits using one of my friends in my Photography Class, Emily.
To start off, I thought of something simple, whilst having some fun.
From my post about the History of Portraits, I found out that the subject usually is look towards the camera, and so I focused on this point for my first attempt.
I also used the Black and White setting on the camera, which links to my inspiration, Mel Smith. Though Mel uses a studio in most of his work, I went outside because there was a lot of light given due to the Sun.
As my work progresses, I hope to be able to get a white backdrop and have artificial lighting to use inside.

History of Portraits

Portrait photography or portraiture photography capturing the likeness of a person or a small group of people, in which the face and expression is predominant, though the body and background may be included. The objective is to display the likeness, personality, and even the mood of the subject. A portrait often shows a person looking directly at the camera.

Unlike many other photography styles, the subjects of portrait photography are often non-professional models. Family portraits commemorating special occasions, such as graduations or weddings, may be professionally produced and are most often intended for private viewing rather than for public exhibition.

http://www.melsmithphotography.co.uk/                      

               

http://www.denisewinterphotography.co.uk/

Aritist Portraits

Mona Lisa, painted in 1503-1519 with oil by the artist Leonardo DaVinchi.
She sits upright with her arms folded, which is also a sign of her reserved posture. Only her gaze is fixed on the observer and seems to welcome him to this silent communication. Since the brightly lit face is practically framed with various much darker elements (hair, veil, shadows), the observer's attraction to it is brought to even greater extent.
Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.

The painting Girl with a Pearl Earring is one of Dutch painter, Johannes Vermeer's masterworks (painted around 1665) and as the name implies, he has used the pearl earring as the focal point.

Van Gogh created many self-portraits during his lifetime. He was a prolific self-portraitist, who painted himself 37 times between 1886 and 1889

 

          

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Landscapes ~ Seven Sisters

These pictures were taken along the coastline, between Seaford and Eastbourne. I took these photos for my AS coursework ~ Nature and Landscapes.
When I took these photographs, it was a vert fogyy/misty day and therefore the outcome of some photos seem to be blurry.

Other photographs for my AS Exam

Some more photographs I took in London and at the Seven Sisters Coastline.
I put these photographs in my Exam book for Splash.

OCR Specification A2 Photography and useful vocabulary

http://www.ocr.org.uk/download/kd/ocr_9926_kd_gce_summary.pdf

A Basic Vocabulary for A Level Photography

With all A Level subjects you will come across subject specific vocabulary, photography A Level is certainly no different.  These words can seem new and strange but we must learn to use them and where possible get into the habit of writing them in our ‘print books’ or ‘blogs’.  The moderator will be expecting to see that the,

quality of language is mature and fluid and is fully engaged with informing development of ideas and images

and that you have a

perceptive understanding and use of appropriate language.

The following is intended as a guide to get you started.

Ambient light – The natural light in a scene.

Aperture – A small, circular opening inside the lens that can change in diameter to control the amount of light reaching the camera's sensor as a picture is taken. The aperture diameter is expressed in f-stops; the lower the number, the larger the aperture. For instance, the aperture opening when set to f/2.8 is larger than at f/8. The aperture and shutter speed together control the total amount of light reaching the sensor. A larger aperture passes more light through to the sensor. Many cameras have an aperture priority mode that allows you to adjust the aperture to your own liking. See also shutter speed.

Application – A computer program, such as an image editor or image browser.

Buffer – Memory in the camera that stores digital photos before they are written to the memory card.

Burning – Selectively darkening part of a photo with an image editing program.

CCD – Charge Coupled Device: one of the two main types of image sensors used in digital cameras. When a picture is taken, the CCD is struck by light coming through the camera's lens. Each of the thousands or millions of tiny pixels that make up the CCD convert this light into electrons. The number of electrons, usually described as the pixel's accumulated charge, is measured, then converted to a digital value. This last step occurs outside the CCD, in a camera component called an analog-to-digital converter.

CD-R – CD-Recordable: a compact disc that holds digital information, including digital photos. Creating one is commonly referred to as burning a CD. A CD-R disc can only be written to once, and is an ideal storage medium for original digital photos.

CD-RW – CD-Rewritable: similar in virtually all respects to a CD-R, except that a CD-RW disc can be written and erased many times. This makes them best suited to many backup tasks, but not for long term storage of original digital photos.

CMYK – Cyan, Magenta, Yellow, Black. The four colours in the inksets of many photo-quality printers.

Contrast – The difference between the darkest and lightest areas in a photo. The greater the difference, the higher the contrast.

Digital camera – A camera that captures the photograph not on film, but in an electronic imaging sensor that takes the place of film.

Dodging – Selectively lightening part of a photo with an image editing program.

Download, downloading – The process of moving computer data from one location to another. Though the term is normally used to describe the transfer, or downloading, of data from the Internet, it is also used to describe the transfer of photos from a camera memory card to the computer. Example: I downloaded photos to my PC.

DPI – Dots per inch: A measurement of the resolution of a digital photo or digital device, including digital cameras and printers. The higher the number, the greater the resolution.

External flash – A supplementary flash unit that connects to the camera with a cable, or is triggered by the light from the camera's internal flash. Many fun and creative effects can be created with external flash.

File – A computer document.

Fill flash – A flash technique used to brighten deep shadow areas, typically outdoors on sunny days. Some digital cameras include a fill flash mode that forces the flash to fire, even in bright light.

Grayscale – A photo made up of varying tones of black and white. Grayscale is synonymous with black and white.

Highlights – The brightest parts of a photo.

Histogram – A graphic representation of the range of tones from dark to light in a photo. Some digital cameras include a histogram feature that enables a precise check on the exposure of the photo.

Image browser – An application that enables you to view digital photos. Some browsers also allow you to rename files, convert photos from one file format to another, add text descriptions, and more.

Image editor – A computer program that enables you to adjust a photo to improve its appearance. With image editing software, you can darken or lighten a photo, rotate it, adjust its contrast, crop out extraneous detail, remove red-eye and more.

Image resolution - The number of pixels in a digital photo is commonly referred to as its image resolution.

Inkjet – A printer that places ink on the paper by spraying droplets through tiny nozzles.

ISO speed – A rating of a film's sensitivity to light. Though digital cameras don't use film, they have adopted the same rating system for describing the sensitivity of the camera's imaging sensor. Digital cameras often include a control for adjusting the ISO speed; some will adjust it automatically depending on the lighting conditions, adjusting it upwards as the available light dims. Generally, as ISO speed climbs, image quality drops.

JPEG – A standard for compressing image data developed by the Joint Photographic Experts Group, hence the name JPEG. Strictly speaking, JPEG is not a file format, it's a compression method that is used within a file format, such as the EXIF-JPEG format common to digital cameras. It is referred to as a lossy format, which means some quality is lost in achieving JPEG's high compression rates. Usually, if a high-quality, low-compression JPEG setting is chosen on a digital camera, the loss of quality is not detectable to the eye.

LCD – Liquid Crystal Display: a low-power monitor often used on the top and/or rear of a digital camera to display settings or the photo itself.

Media – Material that information is written to and stored on. Digital photography storage media includes CompactFlash cards and CDs.

Megabyte (MB) – A measurement of data storage equal to 1024 kilobytes (KB).

Megapixel – Equal to one million pixels.

Memory Stick - A memory card can be used as a flash-based storage for your photos.

NiMH – Nickel Metal-Hydride: a type of rechargeable battery that can be recharged many times. NiMH batteries provide sufficient power to run digital cameras and flashes.

Panning – A photography technique in which the camera follows a moving subject. Done correctly, the subject is sharp and clear, while the background is blurred, giving a sense of motion to the photo.

Pixel – Picture Element: digital photographs are comprised of thousands or millions of them; they are the building blocks of a digital photo.

RAW – The RAW image format is the data as it comes directly off the CCD, with no in-camera processing is performed.

Red-eye – The red glow from a subject's eyes caused by light from a flash reflecting off the blood vessels behind the retina in the eye. The effect is most common when light levels are low, outdoor at night, or indoor in a dimly-lit room.

RGB – Red, Green, Blue: the three colours to which the human visual system, digital cameras and many other devices are sensitive.

Saturation – How rich the colours are in a photo.

Sensitivity – See ISO speed.

Sharpness – The clarity of detail in a photo.

Shutter speed – The camera's shutter speed is a measurement of how long its shutter remains open as the picture is taken. The slower the shutter speed, the longer the exposure time. When the shutter speed is set to 1/125 or simply 125, this means that the shutter will be open for exactly 1/125th of one second. The shutter speed and aperture together control the total amount of light reaching the sensor. Some digital cameras have a shutter priority mode that allows you to set the shutter speed to your liking. See also aperture.

Thumbnail – A small version of a photo. Image browsers commonly display thumbnails of photos several or even dozens at a time. In Windows  My Pictures, you can view thumbnails of photos in both the Thumbnails and Filmstrip view modes.

USB – Universal Serial Bus: a protocol for transferring data to and from digital devices. Many digital cameras and memory card readers connect to the USB port on a computer. USB card readers are typically faster than cameras or readers that connect to the serial port.

White balance – A function on the camera to compensate for different colours of light being emitted by different light sources.

Inspirations for my A2 work ~ Portraits

These photographs are from http://www.melsmithphotography.co.uk/
For my A2 work, I was thinking of doing something that involved people and the use of a Black and White setting on the Camera. Mel Smiths' work is the perfect way to portray what I want to achieve. My Family and I have our pictures taken every other year by Mel Smith. I really like his work because he captures peoples emotions and memories, and when you look at the finished products, you can't help but smile at the happiness being shown by the people.

Daple Light

This is another photograph I took for my Nature project. I really like this picture but decided not to use it due to the sunburst present.

The Sun shining through a Coniferous Tree

AS Coursework Final Piece

This is my Final Piece for my AS Coursework. My theme for my coursework was Nature and Landscapes and I wanted to caputure light shining through the trees to create a Daple Light.

Final Piece Photography AS

This is my Final Piece for AS Level Photography. I took this photograph in London. My theme for my exam was Splash and to capture Water in motion.